reza

adding a attack to the amplitude envelope (env1) can help, as @LegsMechanical mentioned. however, a more simple way is to set the retrigger phase (shortcut is <3rd from left, 4 down>) to 00 instead of OFF. if you're using two oscillators, you should do that to both (however, in some cases, that may make some unintentional changes to the overall timbre of the synth patch depending on how you are interacting with those oscillators)

explanation:
the deluge will play waveforms with the phase always in motion when retrig phase is OFF. what that means is that the sine wave can be triggered at places where there is already amplitude information, it will play anywhere within the cycle of the sine shape. if it's above or below the zero-crossing, then you will hear a blip. same thing can happen when you have a sample that ends before the sound has faded out, in this case the blip would be at the end.

Merged with Community Firmware!

This feature's implementation started with @seangoodvibes
Main GitHub Documentation │ GitHub Pull Request Info

Automation View Mode
Automation Instrument Clip View is a new view that complements the existing Instrument Clip View (which is accessed by pressing the Clip Button). It allows you to edit automatable parameters on a per step basis at any zoom level.

Discuss this feature, provide video/audio examples, etc.

Merged with Community Firmware!

This feature's implementation started with @Alter
GitHub Documentation | Documentation 2

Master Compressor
Allows a-per-project master compressor to be enabled and fine tuned.

In Song view, select 'Affect Entire' and SIDECHAIN modulation button, and adjust the upper gold knob. Push the upper gold knob to switch to the next setting (Threshold (dB), Makeup Gain (dB), Attack (ms), Release (ms), Ratio, MIX). The LEDs next to the knob act as a gain reduction meter.

This compressor function can be turned on/off in the runtime feature setting.

The button combinations and display in the video are different from the current implementation.

Discuss this feature, provide video/audio examples, etc.

to slide notes you click and hold down the up/down encoder then turn the left/right encoder to slide, it can wrap around so if you slide counterclockwise it will start appear at the end of your clip.

you most likely have to increase the length of the clip so then you can make room for the verse ur saying you want to add. do that by holding shift+turning the left/right encoder clockwise (you can also click and turn counterclockwise on the same left/right encoder to zoom out so you can add larger amounts of bars faster.)

@mcpepe said:
I also get the "Error" message when trying to upload. My only .bin file in the root fólder is the 4.0 firmware .bin file.
What can I do?

any chance you're using mac or ipad? i think sometimes hidden .ds_store files can appear when accessing the sd card from those operating systems, if those files exist on the root maybe it causes problems? did u add any other folders to the root sd card?

The July Update Roundup is live, check it out to hear about new features developed for the Community Firmware and hear about the news of the first Community Firmware beta, beginning Monday, August 21st ! Link is in original post of this thread.

this isn't implemented with automation view i'm assuming this would be within midi clips, right? functionally it should work the same, but i'm sure it would be nice to have the visual queue that the automation is affecting a bipolar parameter

this is intentional. when copying AND pasting, the current zoom level and current note range visible in clip view is remembered.

this means that if you have a colored clip that is 8 bars and you want to paste all 8 bars into another clip, you have to ensure that:
1) your zoom level before you copy is able to fit all 8 bars.
2) take note of what is the bottom audition pad's note when you copy (let's say it's C1).
3) enter the white clip, and MATCH the zoom when you copied the notes, that means you will have to extend the white clip's length to match the original clip, then zoom out to match
4) scroll vertically so the bottom audition pad is C1.
5) finally paste.

the reason this is done is so people can easily copy notes and transpose them how ever they please by scrolling vertically in clip view. same with zooming in or out to make the sequence play twice as fast, twice as slow, etc.

there isn't a way to loop playback within a section of a clip.

a possible suggestion could be to copy and paste bar 6's notes into a duplicate clip that is only 1 bar length, but that only would be useful if the rest of the clips in the song aren't important to time with or are just not playing. after making the edits you want, you could copy the duplicate clip's data and paste it in the original clip at that bar.

Here's a workaround to get monochromatic colors for clips in song view:

1) Enter clip
2) If synth, scroll to a very high note, if kit, make a new sample at the highest row.
3) Mute the high synth note row or sample row.
4) Place a note on the first beat of the sequence, hold the note for the entirety of the clip.
4b) For kit row samples, set the sample to stretch first, then extend the note for the entirety of the clip.
5) Exit clip view and see how the row in song view is lit only that highest note's color. Since they're muted they won't play or conflict with the sequence.

1st pad will be brightest color, the rest will be same color slightly faded. If you wanted to have only bright colors, then you can enter notes at every step, but if you zoom in, there will be gaps!