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duelinmarkers
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Being able to immediately adjust clip length to something more than one step different is new with audio clips, and I haven't tried it, but is the behavior similar to what you get on an instrument clip when editing length with Shift+<>? There …
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@rickeverything said: I don’t actually have a Deluge but from watching tutorials I have the beginnings of an understanding of how they work. Correct me if I’m wrong - wouldn’t this work the way you wanted if you just put all the samples in a sing…
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I think the answer is no to both questions. I think I'd prefer it if only the audition pad changed the row selection, not adding or removing notes.
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@niack said: I guess deluge's synth sends & receives mid CC for most parameters and that's it.. Synth, audio, and CV clips don't send any MIDI messages at all. MIDI out is only sent from (1) MIDI clips and (2) kit rows configured to s…
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Yes, the finer value gets saved.
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@rudolphrapid said: However it can be helpful only if I want to move exisitng note a bit forward. In backward direction (so before the original note) no velocity data will not be available. If you delete the badly timed note first, then n…
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There is no way to do this with an individual track, but there is for a section. Depending on what else you have going on, that may suit your needs. Search the manual for "instruct the Deluge to play a section for a fixed number of repeats".
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@Mafoo said: similar to what happens when you sync oscillators that have different pitches. This looks to me like the best description. It seems to be equivalent to a 1-octave sweep up while hard synced to an oscillator at the base pitch.
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Any ideas on the user interface for this?
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An interesting issue to consider here is that triplets view doesn't actually remove or skip time from the bar, it just divides it up differently. At any reasonable zoom level, that division works cleanly with Deluge's 192nd note resolution. But 192 …
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Upvoted. For anyone else, here's the thread: http://forums.synthstrom.com/discussion/2251/allow-midi-learn-to-recognize-cc-values-not-just-note-for-commands-like-mute-pattern-play
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One tip if you have a stable external controller setup is to save a template song with controls learned to whatever you want your standard setup to be. Song 999 is a handy slot for this.
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@amiga909 said: seems to me at least midi CCs really shouldnt be remapped from 128 to 51 internal values. Important to note, though, that the mapping is only in the displayed value. There really are 128 values reachable from a gold knob o…
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@magneticum said: Unfortunately I did not find the mono/stereo setting of the synth... There isn't one. The stereo on/off previously referred to only switches the delay between ping-pong and normal.
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@hurdygurdy said: Yes, i just mapped the env1 sustain. But my pedal has a somewhat analogue output. If i release too fast it feels a bit unnatural. I didnt try this with a digital pedal, jumping from cc0 and cc127. I'm pretty puzzled by t…
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@ionian said: Yes! That would be great for sending midi cc values only once at the launch of the track, Does iteration-dependence affect automation? I thought it only affected notes.
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It seems like a fairly easy enhancement to support both notes and CCs for more (or all) control learnings (maybe except for notes). Might be worth a suggestion thread, if there isn't one already. Should 0-63 be off and 64-127 on? Or should any ri…
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What happens if you record your automation with the clip set to a length of 2 bars and then shorten it to 1 bar? The idea is that bar 2 is scratch or margin space that you trim away.
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@hurdygurdy said: this works already this way: just map a pedal (midi cc) to the active synths sustain. Do you mean the sustain level of ENV1, or some other sustain parameter?
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To start to dig into the 50 vs 127 vs finer possible resolutions question, I just spent a while with a self-resonating filter (over noise) sound, external MIDI controller, gold parameter knob, black settings knob, some analysis software in VCV Rack,…
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Would you get the behavior you want if you added a silent track at some multiple of your "regular" measure length, longer than your odd-length track, and solo it along with your odd-length track, then when you're about ready for everything else to c…
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This sounds like behavior I've seen for all edits when multiple tracks use the same sound. I suspect it has nothing to do with CV or MIDI.
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@Ke10g said: Looks like Mpe support is coming in 3.0 firmware! That's awesome! Where'd you hear or read that?
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@austingreen said: First of all, is there a hold button for the arp? Also I very much would love more arp direction, most importantly, an “as played” mode where the arp plays the notes in the order they were played (I’ve seen the arp request thr…
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I haven't tried it, but I think you can turn on MIDI thru on the Deluge (in settings) and then use Arturia's MIDI Control Center software to assign the Keystep's mod strip to whatever CC # the Monologue uses for filter cutoff.
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I checked this out this morning. With sync on, a rate of 22 is the closest to exact triplets of the sync-selected note, but you can dial in a better value between 22 and 23 with the gold parameter knobs. Needless to say, this could be a lot more …
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There's no direct setting to sync with any triplet timing (neither any dotted notes), but the sync and rate settings will combine to give you predictable results that adjust with tempo. To my ear the sweet spot for dotted notes is a rate of 21. (…
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Actual programming on the Deluge for midi channel 1 would all still be done on the same track. It would be a tedious task. You would have an easier time with a second Deluge and sync the two Deluge’s Programming could be done in one t…
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I've been confused by the same thing and still don't know quite how it works. http://forums.synthstrom.com/discussion/comment/8394#Comment_8394 The base value seems to be treated as some sort of mid-point, and the attack peak and release valley g…
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Note probability is set on individual notes by holding them down and turning the select knob left.