Chrisfreeq

In the same way you can access LPF, HPF and EQ all from the Filter section, it would be awesome to be able to press the gold knobs in Attack Release section to gain access to Decay and Sustain, to be able to access full ADSR without any menu-diving.

Could be to press top encoder to access Env1 / Env2, and bottom decoder to access Attack Release / Decay Sustain.

Would be awesome to have the possibility of synths also being the SIdechain source, and not just Kit sounds. This can be used in all sorts of creative ways, but for my particular use at this time, I would want a really thicc bassline to sidechain the ambience of a track I'm working on.

Cheers!

I love the reverb on the Delly, but the delay could use some more features in my opinion.
I love my dubby delays, and too much delay and large reverb can quickly muddy up the mix.
First off, the fact that feedback and mix is basicly the same function, is very limiting with regards to the mix of a song.
A Wet/Dry function would give so much more sonic capabilities, to be able to make the delay more "independent".

I think it would also be very useful to have hipass and lopass filters on both the delay and reverb, again to be able to polish the mix and to make things more interesting. hipass is useful for removing mud in the mix, and lopass for further sculpting the soundscape.
For example, what I really miss, is to have a Delay going with long feedback, and being able to lopass filter the delay to create more motion. For this a Resonance control would of course also be highly desired. It would then also be nice to be able to map these controls (filter frequency and mix) to the gold knobs or external controls.

Cheers,
Chris

Would be really dope to be able to rearrange the fx chain, for example to have the delay or stutter come before the filter.

It's not always easy to maintain overview of which instrument is which in the song view. It would therefore be nice to make the Launch-LED's reflect MIDI activity by flashing on Note and CC messages being sent to the track. Similarly, it would be nice to have the MIDI In notes reflected on the Audition pads in Track view.

Yes!!! Crucial with a proper EQ for polishing a track. +1

+11
Would also be cool to then have a cutoff-control for the width, to make certain parts of the spectrum mono and the rest remain stereo. You could then mono the lower frequencies of a bass or a kick, and still have it big and wide in the tops.

A good reference for this is the TP Basslane VST by Tone Projects.

+1